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Review
June 18, 2018 Matthew Jones

Review: Hereditary (2018) ★★★★

I will fully admit that I give horror films the benefit of the doubt more often than I should. The

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Review
March 13, 2018 Matthew Jones

Review: Gigante (2009) ★★★½

Many Hollywood films are guilty of exaggerating mundane, everyday events; every flirting glance is meaningful, every moment of serendipity is

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Review
March 11, 2018 Matthew Jones

Review: After the Dark (2013) ★½

John Huddles has attempted to bring philosophy to life with After the Dark, and not in the way that filmmakers

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Review
March 8, 2018 Matthew Jones

Review: What We Become (2015) ★★½

Apparently, filmmakers are not concerned with showing the best and brightest humanity has to offer during a zombie apocalypse; instead,

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Baskin (2015)
Review
March 7, 2018 Matthew Jones

Review: Baskin (2015) ★★★

There is a fine line between what academics and horror aficionados would deem “high-art” horror (though many will claim that

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Review
March 4, 2018 Matthew Jones

Review: The Ritual (2017) ★★★½

The horror genre is one of the few arenas where doing things “by the books” is not necessarily a bad

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Review
March 1, 2018 Matthew Jones

Review: The Official Story (La Historia Oficial, 1985) ★★★★

One issue I take with most fictionalized accounts of historical events is that they fail to understand how closely they

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Review
February 28, 2018 Matthew Jones

Review: The Girl with All the Gifts (2016) ★★★

One of the primary issues plaguing modern horror is stories that often don’t have the legs to reach a satisfying

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Review
February 26, 2018 Matthew Jones

Review: Marie Antoinette (2006) ★★★★

Marie Antoinette was a historical figure who has become synonymous with excess. More often than not, this has been used

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Review
February 24, 2018 Matthew Jones

Review: The Headless Woman (2008) ★★★★

When people are faced with chaos, or, to be a bit less melodramatic, an absence of facts that would otherwise

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Review
February 23, 2018 Matthew Jones

Review: Madame (2017) ★

Amanda Sthers’ romantic comedy, Madame, exemplifies just how pervasive American cinematic banality has become. Despite being written and directed by

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Review
February 22, 2018 Matthew Jones

Review: Kept and Dreamless (Las Mantenidas Sin Sueños, 2005) ★★★

Kept and Dreamless is, above all else, a mood picture. It makes spectators adopt the same sentiments as the characters,

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Review
February 21, 2018 Matthew Jones

Review: Julieta (2016) ★★★½

I have postponed writing about several of Pedro Almodóvar’s films, including Julieta, but not because I didn’t find them worthy

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List
February 18, 2018 Matthew Jones

10 Surrealist Films for Philosophy Students

What is a Surrealist Film? Defining “surrealism” or “surrealist films” is no simple task. That said, Andre Breton’s writings provide

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Review
February 15, 2018 Matthew Jones

Review: By the Sea (2015) ★★★½

Angelina Jolie’s contemplative drama By the Sea is, if nothing else, surprisingly self-aware. Though for all of the things it

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Review
February 12, 2018 Matthew Jones

Review: Prom Night (1980) ★½

Paul Lynch’s Prom Night is not a only disappointment because it is derivative of other superior films (namely Halloween and

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Review
February 9, 2018 Matthew Jones

Review: The Nun (La Religieuse, 2013) ★★★★

Guillaume Nicloux’s dramatic film, The Nun (French Title: La Religieuse), based on the 1796 novel by Denis Diderot, is a

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About Matthew

Matthew Jones writer

Matthew Jones is a film critic and the founder and editor of Philosophy in Film. He studied Film and Philosophy at the University of Georgia and writes about horror, cult, arthouse, independent, and international cinema.

About Matthew & Philosophy in Film

Nobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedyNobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedySeptember 25, 2023Matthew Jones
Review: My Old Lady (2014) ★Review: My Old Lady (2014) ★December 6, 2019Matthew Jones
Review: Desire (2017) ★★★★Review: Desire (2017) ★★★★December 14, 2019Matthew Jones

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