The Scandalous Lady W (2015), A Beautiful but Shallow Scandal
I’m surprised that The Scandalous Lady W didn’t attract more attention. It has Natalie Dormer at the height of her Game
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Film Reviews
Read Matthew Jones’s reviews of new releases, independent films, cult cinema, and overlooked works from across film history. Each review looks beyond whether a film succeeds or fails to examine what it reveals about identity, morality, politics, society, and the human experience.
Blink Twice (2024), When Power Depends on Forgetting
This review contains major spoilers. Blink Twice (2024) is one of those films where I could feel the director enjoying how
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Review: Talk to Me (2022), When Grief Becomes an Addiction
Talk to Me (2022) understands that the most dangerous supernatural object isn’t necessarily one that forces itself on people. Sometimes it’s
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Hamnet (2025), A Film By Any Other Name…
Chloé Zhao’s Hamnet (2025) is made with genuine care for its story; I just never fully understood why it’s about William Shakespeare.
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Obsession (2026), Horrific Love Without Consent
I have a soft spot for horror films that clearly don’t have money to waste. When a filmmaker cannot rely
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Review: Victor/Victoria (1982)
Blake Edwards’ Victor/Victoria is built around a joke that becomes more complicated the longer you think about it. Victoria Grant
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The Last Showgirl (2024), An Interesting Subject in Search of a Film
The Last Showgirl (2024) is not really a story so much as an arrangement of melancholy poses. Pamela Anderson walks
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Review: The Last House (2026) Climate Anxiety Turned Prepper Fantasy
The first half of The Last House (2026) brought back memories of the COVID lockdown for me. I was hunkered down in
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Review: Bugonia (2025), A Disappointing Misadventure From Lanthimos
This review contains major spoilers. You’ve been warned! If you’d like to see the film for yourself, you can stream
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Review: Friendship (2024), When Cringe Comedy Turns Sinister
Tim Robinson is at his funniest when a character realizes that he has violated an unwritten social rule and responds
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Passenger (2026), A Few Good Scares Lost in a Bad Story
Passenger (2026) starts well. In fact, it starts well enough to make the rest of the film feel even more disappointing.
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Review: The Substance (2024), Bubblegum Body Horror for the GLP-1 Era
Yes, I realize I’m late to the party. For quite a while, I actively declined to watch The Substance (2024). The
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Review: The Werewolf of Washington (1973), A Political Satire Without a Point
Political satire does not have to be subtle. Dr. Strangelove (1964) doesn’t pull any punches about its stance on militarism and the men
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Review: Aenigma (1987), A Forgotten Gem from Lucio Fulci
Lucio Fulci’s reputation rests largely on the films he made during his gore-soaked run in the late 1970s and early
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Review: Harold and Maude (1971)
Initial reactions Harold and Maude (1971) upon its release were mixed, and it’s not hard to understand why. Harold (Bud
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Review: 28 Years Later (2025), Danny Boyle’s Best Work in Years
As someone who thinks Trainspotting (1996) is one of the greatest films, if not the greatest film of all time,
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Criminally Insane (1975), Crazy Fat Ethel Lives Up to Her Name
I’ve been on a penchant of late. Starting with John Waters’ early work (and unfortunately, A Dirty Shame), my wife
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