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Review
February 6, 2018 Matthew Jones

Review: Nathalie… (2003) ★★★½

As an American, I always admire the cavalier attitude that the French seem to have toward sex. A friend of

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Review
February 5, 2018 Matthew Jones

Review: The City of Lost Children (1995) ★★½

There is no denying that Terry Gilliam is a brilliant filmmaker, and he is deserving of the veneration and even

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Essay
February 5, 2018 Matthew Jones

John Carpenter’s They Live and the Dilemma of Retrospective Film Critique

Now that the world is far removed from the 1980’s and its many idiosyncrasies, it has become increasingly difficult to

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Review
January 31, 2018 Matthew Jones

Review: My Cousin Rachel (2017) ★★

Having seen a number of period films set in Victorian England, I have admittedly allowed them to blend together, forming

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Review
January 28, 2018 Matthew Jones

Review: El Crimen del Padre Amaro (2002) ★★½

The Catholic Church has a long history of entangling itself in sex scandals, despite constant attempts from within the organization

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Review
January 27, 2018 Matthew Jones

Review: Copacabana (2010) ★★★½

It is always satisfying to see a supremely talented actor in role that fits their personality and abilities perfectly. Some

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Review
January 23, 2018 Matthew Jones

Review: No Escape (2015) ★★

One aspect of violent revolutions that is easily overlooked in our history lessons is collateral damage, or more specifically, the

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List
January 21, 2018 Matthew Jones

10 Absurdist Films for Philosophy Students

What is an Absurdist film? Absurdism, as outlined primarily in the works of Albert Camus, refers to the contradictory nature

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Review
January 14, 2018 Matthew Jones

Review: The Little Hours (2017) ★★★½

There is a popular trend that has worked its way through the comedy world for years, and now it has

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Review
January 11, 2018 Matthew Jones

Review: Cama Adentro (Live-In Maid, 2004) ★★★★½

Some filmmakers try and fail to capture the day-to-day struggles of both the rich and poor, ending up with something

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Review
January 4, 2018 Matthew Jones

Review: The Disaster Artist (2017) ★★★★

Like most people who watched The Room (2003), I found myself completely fascinated with Tommy Wiseau, the enigmatic star and

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Review
January 3, 2018 Matthew Jones

Review: Top Secret! (1984) ★★★

Looking back at parody films through the years, I’ve come to realize that there isn’t much that can be said

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Review
December 31, 2017 Matthew Jones

Review: The Big Sick (2017) ★★

As a longtime fan of Kumail Nanjiani’s standup, I had high hopes for The Big Sick, maybe too high. In

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Review
December 29, 2017 Matthew Jones

Review: The Best Offer (La Migliore Offerta, 2013) ★★

Our expectations play a huge part in how we evaluate a film. This is somewhat unfair to the filmmaker, who

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Review
December 23, 2017 Matthew Jones

Review: The Killing of a Sacred Deer (2017) ★★★★

A difficult part of writing a review for The Killing of a Sacred Deer is that it is almost impossible

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Review
December 20, 2017 Matthew Jones

Review: The Maid (La Nana, 2009) ★★★★

It is not easy to infuse comedy into a story revolving around class differences, especially without succumbing to crass jokes

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Review
December 17, 2017 Matthew Jones

Review: Victoria and Abdul (2017) ★½

Over the last few years, studios have been practically tripping over themselves to release new, pseudo-progressive “feel-good” movies, generally focusing

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About Matthew

Matthew Jones writer

Matthew Jones is a film critic and the founder and editor of Philosophy in Film. He studied Film and Philosophy at the University of Georgia and writes about horror, cult, arthouse, independent, and international cinema.

About Matthew & Philosophy in Film

Nobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedyNobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedySeptember 25, 2023Matthew Jones
Review: My Old Lady (2014) ★Review: My Old Lady (2014) ★December 6, 2019Matthew Jones
Review: Desire (2017) ★★★★Review: Desire (2017) ★★★★December 14, 2019Matthew Jones

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