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Locked Up (2017) Kelly McCart
Review
November 7, 2019 Matthew Jones

Review: Locked Up (2017) ★

Films like Flash Gordon (1980) or Tommy Wiseau’s The Room (2003) are so bad, they’re good. In the former, over-the-top

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Baruch Spinoza
Essay
October 27, 2019 Matthew Jones

Spinoza Quotes and Arguments On Substance

Argument In Part I, Proposition 13 of Baruch Spinoza’s Ethics, Depicted in Geometrical Order, Spinoza quotes the following argument to

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Art the Clown in The Terrifier
Review
October 20, 2019 Matthew Jones

Review: Terrifier (2016) ★★★½

I will readily admit that the name “Terrifier” did not inspire much confidence in me. It sounds more like a

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John Stuart Mill on the Principle of Utility
Essay
October 14, 2019 Matthew Jones

A Defense of Mill and the Principle of Utility

John Stuart Mill illustrates the Principle of Utility as a guide for individual action in which morality is determined by

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Gaby Hoffmann in Lyle 2014
Review
October 9, 2019 Matthew Jones

Review: Lyle (2014) ★

For many years, the American independent film scene was generally free from many of “big” Hollywood’s more egregious tendencies. In

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Midsommar movie
Review
October 5, 2019 Matthew Jones

Review: Midsommar (2019) ★★★★

Writer-Director Ari Aster has shown, for better or worse, that he has a certain preoccupation with trauma. In both of

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Essay
October 3, 2019 Matthew Jones

On Sartre’s Existentialism and the Meaning of Human Existence

In Jean-Paul Sartre’s essay, Existentialism is a Humanism, he seems to argue against any inherent meaning in human existence. He

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Essay
September 24, 2019 Matthew Jones

Toto the Hero, the Antithesis to Classical Hollywood

European art cinema, above all else, seeks to break free of the conventions of Classical Hollywood filmmaking. By creating a

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Review
September 16, 2019 Matthew Jones

Review: Inferno (1980) ★★

It’s impossible to consider the impact of Italian supernatural horror films on the broader horror genre without looking at the

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Review
March 5, 2019 Matthew Jones

Review: Alanis (2017) ★★★★½

Sex work is something that no one likes to talk about; this especially true for those who could actually do

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Review
February 18, 2019 Matthew Jones

Review: Cheerleader (2016) ★★★

Whenever you sit down to watch an indie film, there is about a 50/50 chance that the budget will put

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Review
November 10, 2018 Matthew Jones

Review: Shiny, Shiny Bright New Hole in My Heart (2006) ★★★★

Some films succeed on a purely visceral level. I tend to shy away from these kinds of stories,  like romantic

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Review
August 3, 2018 Matthew Jones

Review: Rings (2017) ★½

A spooky atmosphere goes a long way in elevating works of horror above the muck and mire of indie B-movie

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Review
July 24, 2018 Matthew Jones

Review: Son of Rambow (2007) ★★

Being wholesome does not automatically make a work of fiction praiseworthy; in fact, it generally belies any sense of ambiguity

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Review
July 20, 2018 Matthew Jones

Review: The Babadook (2014) ★★★★

No matter how one feels about parenting or the decision to have children, it is abundantly clear that the burden

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Review
July 1, 2018 Matthew Jones

Review: A Ghost Story (2017) ★★★½

I went into A Ghost Story expecting something very different (namely something a bit more horrific), so in that sense

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Review
June 26, 2018 Matthew Jones

Review: I, Tonya (2017) ★★★

There is something inherently cheap about biographical dramas concerning contemporary figures, particularly living figures. If I watch Marie Antoinette (2006),

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About Matthew

Matthew Jones writer

Matthew Jones is a film critic and the founder and editor of Philosophy in Film. He studied Film and Philosophy at the University of Georgia and writes about horror, cult, arthouse, independent, and international cinema.

About Matthew & Philosophy in Film

Nobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedyNobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedySeptember 25, 2023Matthew Jones
Review: My Old Lady (2014) ★Review: My Old Lady (2014) ★December 6, 2019Matthew Jones
Review: Desire (2017) ★★★★Review: Desire (2017) ★★★★December 14, 2019Matthew Jones

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