Review: The Official Story (La Historia Oficial, 1985) ★★★★
One issue I take with most fictionalized accounts of historical events is that they fail to understand how closely they
Read More
Review: The Girl with All the Gifts (2016) ★★★
One of the primary issues plaguing modern horror is stories that often don’t have the legs to reach a satisfying
Read More
Review: Marie Antoinette (2006) ★★★★
Marie Antoinette was a historical figure who has become synonymous with excess. More often than not, this has been used
Read More
Review: The Headless Woman (2008) ★★★★
When people are faced with chaos, or, to be a bit less melodramatic, an absence of facts that would otherwise
Read More
Review: Madame (2017) ★
Amanda Sthers’ romantic comedy, Madame, exemplifies just how pervasive American cinematic banality has become. Despite being written and directed by
Read More
Review: Kept and Dreamless (Las Mantenidas Sin Sueños, 2005) ★★★
Kept and Dreamless is, above all else, a mood picture. It makes spectators adopt the same sentiments as the characters,
Read More
Review: Julieta (2016) ★★★½
I have postponed writing about several of Pedro Almodóvar’s films, including Julieta, but not because I didn’t find them worthy
Read More
10 Surrealist Films for Philosophy Students
What is a Surrealist Film? Defining “surrealism” or “surrealist films” is no simple task. That said, Andre Breton’s writings provide
Read More
Review: By the Sea (2015) ★★★½
Angelina Jolie’s contemplative drama By the Sea is, if nothing else, surprisingly self-aware. Though for all of the things it
Read More
Review: Prom Night (1980) ★½
Paul Lynch’s Prom Night is not a only disappointment because it is derivative of other superior films (namely Halloween and
Read More
Review: The Nun (La Religieuse, 2013) ★★★★
Guillaume Nicloux’s dramatic film, The Nun (French Title: La Religieuse), based on the 1796 novel by Denis Diderot, is a
Read More
Review: Nathalie… (2003) ★★★½
As an American, I always admire the cavalier attitude that the French seem to have toward sex. A friend of
Read More
Review: The City of Lost Children (1995) ★★½
There is no denying that Terry Gilliam is a brilliant filmmaker, and he is deserving of the veneration and even
Read More
John Carpenter’s They Live and the Dilemma of Retrospective Film Critique
Now that the world is far removed from the 1980’s and its many idiosyncrasies, it has become increasingly difficult to
Read More
Review: My Cousin Rachel (2017) ★★
Having seen a number of period films set in Victorian England, I have admittedly allowed them to blend together, forming
Read More
Review: El Crimen del Padre Amaro (2002) ★★½
The Catholic Church has a long history of entangling itself in sex scandals, despite constant attempts from within the organization
Read More
Review: Copacabana (2010) ★★★½
It is always satisfying to see a supremely talented actor in role that fits their personality and abilities perfectly. Some
Read More