Obsession (2026), Horrific Love Without Consent
I have a soft spot for horror films that clearly don’t have money to waste. When a filmmaker cannot rely
Read MoreI have a soft spot for horror films that clearly don’t have money to waste. When a filmmaker cannot rely
Read MoreThe first half of The Last House (2026) brought back memories of the COVID lockdown for me. I was hunkered down in
Read MoreThis essay contains major spoilers. Scott Beck and Bryan Woods’ Heretic (2024) begins as a theological debate before gradually revealing that no
Read MoreMost horror films generate fear by violating the boundary between a dangerous world and a supposedly protected interior. The killer
Read MorePassenger (2026) starts well. In fact, it starts well enough to make the rest of the film feel even more disappointing.
Read MorePolitical satire does not have to be subtle. Dr. Strangelove (1964) doesn’t pull any punches about its stance on militarism and the men
Read MoreLucio Fulci’s reputation rests largely on the films he made during his gore-soaked run in the late 1970s and early
Read MoreInitial reactions Harold and Maude (1971) upon its release were mixed, and it’s not hard to understand why. Harold (Bud
Read MoreAs someone who thinks Trainspotting (1996) is one of the greatest films, if not the greatest film of all time,
Read MoreI’ve been on a penchant of late. Starting with John Waters’ early work (and unfortunately, A Dirty Shame), my wife
Read MoreI like historical films to be as accurate to their respective times as possible. That said, I’m not a purist.
Read MoreRoughly 8 years after writing my review of Blade Runner 2049, I chose to revisit the film. Upon my second
Read MoreThe films I always return to are the ones that leave me staring at the ceiling at 2 AM, questioning
Read MoreI had not expected a Pixar film to illuminate the nature of the human soul more vividly than a standard
Read MoreAustralia has delivered some of the best horror films of the past two decades. The Loved Ones (2012), The Babadook
Read MoreCillian Murphy drew me to Peacock (2010), but even his unusual double role cannot make this Psycho-inspired thriller hold together.
Read MoreI’m not sure how I came across the true love affair between French diplomat Bernard Boursicot and Chinese opera singer
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