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Essay
October 3, 2019 Matthew Jones

On Sartre’s Existentialism and the Meaning of Human Existence

In Jean-Paul Sartre’s essay, Existentialism is a Humanism, he seems to argue against any inherent meaning in human existence. He

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Essay
September 24, 2019 Matthew Jones

Toto the Hero, the Antithesis to Classical Hollywood

European art cinema, above all else, seeks to break free of the conventions of Classical Hollywood filmmaking. By creating a

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Review
September 16, 2019 Matthew Jones

Review: Inferno (1980) ★★

It’s impossible to consider the impact of Italian supernatural horror films on the broader horror genre without looking at the

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Review
March 5, 2019 Matthew Jones

Review: Alanis (2017) ★★★★½

Sex work is something that no one likes to talk about; this especially true for those who could actually do

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Review
February 18, 2019 Matthew Jones

Review: Cheerleader (2016) ★★★

Whenever you sit down to watch an indie film, there is about a 50/50 chance that the budget will put

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Review
November 10, 2018 Matthew Jones

Review: Shiny, Shiny Bright New Hole in My Heart (2006) ★★★★

Some films succeed on a purely visceral level. I tend to shy away from these kinds of stories,  like romantic

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Review
August 3, 2018 Matthew Jones

Review: Rings (2017) ★½

A spooky atmosphere goes a long way in elevating works of horror above the muck and mire of indie B-movie

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Review
July 24, 2018 Matthew Jones

Review: Son of Rambow (2007) ★★

Being wholesome does not automatically make a work of fiction praiseworthy; in fact, it generally belies any sense of ambiguity

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Review
July 20, 2018 Matthew Jones

Review: The Babadook (2014) ★★★★

No matter how one feels about parenting or the decision to have children, it is abundantly clear that the burden

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Review
July 1, 2018 Matthew Jones

Review: A Ghost Story (2017) ★★★½

I went into A Ghost Story expecting something very different (namely something a bit more horrific), so in that sense

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Review
June 26, 2018 Matthew Jones

Review: I, Tonya (2017) ★★★

There is something inherently cheap about biographical dramas concerning contemporary figures, particularly living figures. If I watch Marie Antoinette (2006),

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Review
June 18, 2018 Matthew Jones

Review: Hereditary (2018) ★★★★

I will fully admit that I give horror films the benefit of the doubt more often than I should. The

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Review
March 13, 2018 Matthew Jones

Review: Gigante (2009) ★★★½

Many Hollywood films are guilty of exaggerating mundane, everyday events; every flirting glance is meaningful, every moment of serendipity is

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Review
March 11, 2018 Matthew Jones

Review: After the Dark (2013) ★½

John Huddles has attempted to bring philosophy to life with After the Dark, and not in the way that filmmakers

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Review
March 8, 2018 Matthew Jones

Review: What We Become (2015) ★★½

Apparently, filmmakers are not concerned with showing the best and brightest humanity has to offer during a zombie apocalypse; instead,

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Baskin (2015)
Review
March 7, 2018 Matthew Jones

Review: Baskin (2015) ★★★

There is a fine line between what academics and horror aficionados would deem “high-art” horror (though many will claim that

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Review
March 4, 2018 Matthew Jones

Review: The Ritual (2017) ★★★½

The horror genre is one of the few arenas where doing things “by the books” is not necessarily a bad

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Essay

Lebowski Festival Louisville
Essay

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When I first watched The Big Lebowski (1998), I didn’t like it. The viewing took place sometime around 2010, while I was

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Blade Runner 2049 on What Makes Us Human

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List

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5 Mainstream Films That Make You Question Your Identity

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The films I always return to are the ones that leave me staring at the ceiling at 2 AM, questioning

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10 Best Severin Films for Philosophy Students

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10 Best Silent Films for Philosophy Students

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Marxist films
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10 Marxist Films for Philosophy Students

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Review

28 Years Later (2025)
Review

Review: 28 Years Later (2025), Danny Boyle’s Best Work in Years

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As someone who thinks Trainspotting (1996) is one of the greatest films, if not the greatest film of all time,

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Criminally Insane (1975), Crazy Fat Ethel Lives Up to Her Name

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The Flood (2024), A Misogynistic Rewriting of French History

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Bring Her Back (2025)
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Review: Bring Her Back (2025), The Year’s Best Trauma Horror

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