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Beyond the Door trilogy
Essay
November 2, 2021 Matthew Jones

Beyond the Door Trilogy: One Imitation, One Bore, and One Trainwreck

If you’ve spent time watching bad 70s and 80s horror, then you’ve likely come across the Beyond the Door trilogy.

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Devil's Gate movie
Review
October 28, 2021 Matthew Jones

Devil’s Gate (2017), A Tired and Dull Alien Abduction Movie

The best alien abduction movies are those which take a detour from the usual cliches. Rather than simply having cryptids

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Night of the Demons Angela
Review
October 25, 2021 Matthew Jones

Night of the Demons (1988), Cult Horror Born From Better Films

Looking back at Night of the Demons (1988) more than 30 years after its release, few would argue that it

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Chompy & The Girls (2021)
Review
October 21, 2021 Matthew Jones

Chompy & The Girls (2021), Trippy Horror Meets Awkward Family Drama

Weird and unsettling imagery always draws my attention. When browsing for movies to watch, I happened upon the trailer for

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El Rey Del Once (2016)
Review
October 19, 2021 Matthew Jones

El Rey Del Once (2016), An Intimate Look at Jewish Life in Buenos Aires

El Rey Del Once (2016) is an Argentine film about a Jewish thirty-something who returns to his home neighborhood in

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Shrew's Nest (2014) movie
Review
October 13, 2021 Matthew Jones

Shrew’s Nest (2014), A Violent Case of Agoraphobia in 1950s Spain

It’s always irksome when filmmakers use sexual trauma as the basis for violence and bloodshed. Yes, sexual abuse (especially in

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The Isle (2019) sirens movie
Review
October 11, 2021 Matthew Jones

Review: The Isle (2019), Atmospheric Horror Meets Salty Sea Tales

For me, the siren is one of the most interesting of all the sailor mythologies. Sirens are the beautiful, ethereal

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Frankenhooker (1990) Patty Mullen
Review
October 5, 2021 Matthew Jones

Frankenhooker (1990), Low-Budget Body Horror That Aims to Offend

With a name like Frankenhooker, you pretty much know what you’re getting. It’s not going to offer a progressive view

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Severin Films
List
September 30, 2021 Matthew Jones

10 Best Severin Films for Philosophy Students

In the past, I’ve liked to form top 10 lists around a philosophical theme or school of thought, as you

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Martyrs (2008)
Review
September 27, 2021 Matthew Jones

Martyrs (2008), A Terrifying, Difficult, and Painful French Masterpiece

It is very, very rare that I feel genuinely horrified while watching a horror movie. I might feel my pulse

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False Positive movie ending explained
Uncategorized
September 15, 2021 Matthew Jones

False Positive (2021), a Pregnancy Horror Film That Doesn’t Deliver

It may sound crass, but pregnant women make for great horror movie fodder. You take women, who so often act

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Der Bunker german movie
Review
September 1, 2021 Matthew Jones

Review: Der Bunker (2015), Where Humor, Horror, and Surrealism Collide

If you were to explain the plot of Nikias Chryssos’ Der Bunker (2015) to a friend, they might think you

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Diene Farbe
Review
August 19, 2021 Matthew Jones

Review: Your Color (2021), A Spirited Look at Race and Ambition

Too often, films about race devolve into familiar and shallow territory. We are not given more than a surface view

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Caveat scary painting
Review
August 11, 2021 Matthew Jones

Review: Caveat (2020), A Fresh Take On Claustrophobic Horror

Caveat (noun) — A warning of specific stipulations, conditions, or limitations. Irish cinema has a long and storied history, but

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Alfred Hitchcock's Rear Window opening shot
Essay
July 15, 2021 Matthew Jones

The Architecture of Gazing in Alfred Hitchcock’s Rear Window

In Alfred Hitchcock’s Rear Window (1954), a wheelchair-bound photographer observes the surrounding neighborhood through the rear window of his apartment.

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Asylum (1972)
Review
July 8, 2021 Matthew Jones

Asylum (1972), The “Best” Horror Anthology of All Time

Though it offers up very few real scares, Asylum (1972) might be the greatest horror anthology film of all time.

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Marie Antoinette 1938
Review
June 24, 2021 Matthew Jones

Review: Marie Antoinette 1938, an American Mockery of French History

Few films embody Hollywood’s inability to capture a historical period (or figure) like W. S. Van Dyke’s Marie Antoinette 1938. 

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About Matthew

Matthew Jones writer

Matthew Jones is a film critic and the founder and editor of Philosophy in Film. He studied Film and Philosophy at the University of Georgia and writes about horror, cult, arthouse, independent, and international cinema.

About Matthew & Philosophy in Film

Nobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedyNobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedySeptember 25, 2023Matthew Jones
Review: Desire (2017) ★★★★Review: Desire (2017) ★★★★December 14, 2019Matthew Jones
Review: My Old Lady (2014) ★Review: My Old Lady (2014) ★December 6, 2019Matthew Jones

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