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Review
May 3, 2017 Matthew Jones

Review: Kung Fury (2015) ★★★½

Kung Fury is a Swedish short film (with a runtime of about 30 minutes) written, directed by, and starring David

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Review
April 27, 2017 Matthew Jones

Review: M (1931) ★★★★½

As Fritz Lang’s first sound film, M (1931) stands out as a hallmark achievement of the early sound era and

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Mother's Day (1980) review
Review
April 22, 2017 Matthew Jones

Review: Mother’s Day (1980) a film by Charles Kaufman

Mother’s Day (1980), written and directed by Charles Kaufman (brother of Troma co-founder Lloyd Kaufman), tells the story of three

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Review
April 19, 2017 Matthew Jones

Review: Pride and Prejudice and Zombies (2016) ★★

There is something to be said for any film that takes risks. And in a sense, every film production takes

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Review
April 15, 2017 Matthew Jones

Review: Grabbers (2012) ★★★

Grabbers (2012) is an Irish horror-comedy pub film, written and directed by Jon Wright. The story follows an alcoholic policeman,

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Review
April 12, 2017 Matthew Jones

Review: Nosferatu: A Symphony of Horror (1922) ★★★½

Nosferatu: A Symphony of Horror (1922) was the earliest screen adaptation of Bram Stoker’s Dracula. Though the filmmakers never had

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Review
April 9, 2017 Matthew Jones

Review: Creep (2004) ★★

Like so many horror films before it, Creep (2004) starts off strong and eventually succumbs to a weak script, mediocre performances,

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Essay
April 9, 2017 Matthew Jones

Metzger’s Women: Gender Representations and Visual Abstraction in ’60s Sexploitation

In the years following the 1948 Paramount Case, independent cinema gained a competitive edge in the United States. As the

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Review
April 4, 2017 Matthew Jones

Review: Ghost in the Shell (2017) ★★★

In Ghost in the Shell (2017), technology has advanced to the point that humans can replace their own body parts with

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Review
March 29, 2017 Matthew Jones

Review: Sherlock Jr. (1924) ★★★★½

Silent films don’t usually tickle my fancy. We are so far removed from the “Golden Age” of silent filmmaking that

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Essay
March 25, 2017 Matthew Jones

Politics in Horror: American Anxieties Play Out on Screen

It is not new or revolutionary to connect the political and social realities of our times to films that we

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Essay
February 15, 2017 Matthew Jones

Sex and the Creation of Horror in It Follows

Since the earliest days of horror films, sex has been a key component of the genre. Sometimes the sexual content

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Essay
January 11, 2017 Matthew Jones

Cinematography and Style in Rebel Without a Cause

Very few films, even today, accurately portray the complexities of teenage life. It is an age group with which it

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Essay
November 5, 2016 Matthew Jones

Analysis: Confession of a Child of the Century

Sylvie Verheyde’s 2012 film, Confession of a Child of the Century, based on Alfred de Musset’s 1836 semi-autobiographical novel, tells

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Essay
August 24, 2016 Matthew Jones

Human Nature and Technology in Science Fiction

Since the earliest days of cinema, films have explored the role of technology in science fiction. The moving picture, in

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Essay
July 6, 2016 Matthew Jones

Stoicism in Film: Changing Lanes

True stoicism in film is somewhat rare. Many films put particular emphasis on emotion and its impact in our daily

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Essay
June 2, 2016 Matthew Jones

Nebraska, the Taiga, and An Escape from Modernity

There are probably no two films that, at first glance, appear less comparable than Alexander Payne’s Nebraska and Werner Herzog’s

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About Matthew

Matthew Jones writer

Matthew Jones is a film critic and the founder and editor of Philosophy in Film. He studied Film and Philosophy at the University of Georgia and writes about horror, cult, arthouse, independent, and international cinema.

About Matthew & Philosophy in Film

Nobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedyNobody Knows (2004), A Beautiful Adaptation of a Real-Life TragedySeptember 25, 2023Matthew Jones
Review: My Old Lady (2014) ★Review: My Old Lady (2014) ★December 6, 2019Matthew Jones
Review: Desire (2017) ★★★★Review: Desire (2017) ★★★★December 14, 2019Matthew Jones

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