Evil Dead Rise (2023), A Terrible Stain on the Franchise
After watching Evil Dead Rise (2023), I felt disheartened that Sam Raimi let his great horror franchise fall into mediocrity.
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A Philosophical Approach to Cinema
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Unhuman (2022), An Unrefreshing and Unconvincing Zombie Comedy
In the past, I’ve had a lot to say about the zombie comedy genre. I’m not the only one, either.
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Call Me Chihiro (2023), A Charming Japanese Film With Nowhere to Go
It would be a tad banal to complement Call Me Chihiro for stirring “emotion” in its viewers, as you could
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Sleepaway Camp (1983), The Best Plot Twist In LGBT Horror
When you’ve watched dozens, if not hundreds of 80s horror films, it can be difficult to find something that truly
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The Visitor (1979), A Hidden Gem of Insane 70s Sci-Fi
When you think of the 1970s, you probably think of free love, cults, psychedelic drugs, and maybe Jimmy Carter. Giulio
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Space and Isolation in Michael Haneke’s The Piano Teacher
The Piano Teacher (2001) is a film directed by Michael Haneke, based on the 1983 novel of the same name
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House of Darkness (2022), A Long Wait For A Very Brief Payoff
It’s hard to imagine a film with a runtime of just 88 minutes feeling overly long, but House of Darkness
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The Whale (2022), Darren Aronofsky’s Worst Film to Date
I fail to see the logic in Darren Aronofsky’s filmography. He started off his career brilliantly with Pi (1998), a
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Review: Mind Leech (2023), A Fun Slice of Canadian Horror
Canada has put out a handful of memorable horror films over the years, including Cube (1997), Fido (2006), and 7
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Nothing But Trouble (1991), A Complete Dumpster Fire of a Film
If you’ve spent any time perusing the current offerings on streaming services, you know that there are plenty of unequivocally
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Review: And Now the Screaming Starts! (1973)
With a name like And Now the Screaming Starts!, one might expect a familiar, cheap, unambitious, and exploitative film with
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You Won’t Be Alone (2022), A New Perspective On Witch Lore
Witches make for great villains in horror films. From a creepy ballet instructor to a shadowy hermitess in the woods,
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Review: Karen (2021), A Flawed Effort to Exploit American Racism
Few films that try to cash in on current trends find much love from viewers or critics. Exploitation films can
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Review: Spring (2014), Romance Meets Body Horror in Italy
When Americans leave home in search of meaning somewhere on the European continent, it’s usually a recipe for disaster (at
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Burial Ground: The Nights of Terror (1981), Slow Zombies Kill Weird People
While modern zombie films have accustomed viewers to lightning-fast creatures hunting down the living, there was once a time when
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American Night (2021), Pop Art, Gangsters, and Metamodernism
It can feel like an easy to escape to describe all derivative art at postmodern, campy, self-reflective, or even metamodernist.
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The Church (1989), Entertaining Demonic Horror In Two Disparate Parts
At the risk of alienating readers, the Catholic Church has spent the better part of two millennia committing unspeakable atrocities.
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