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Review: Valerian and the City of a Thousand Planets (2017) ★

<p class&equals;"p1"><span class&equals;"s1">As petty as it may seem&comma; I get a sense of vindictive pleasure when a huge&comma; exorbitantly expensive blockbuster like <em>Valerian and the City of a Thousand Planets<&sol;em> becomes a box office flop&period; I feel that the studios funding these trite&comma; cash-grab projects deserve to have things blow up in their faces from time to time&period; As long as the people actually working to make the film &lpar;i&period;e&period; the cast and crew&rpar; get paid&comma; it doesn&&num;8217&semi;t really affect anyone who can&&num;8217&semi;t afford to take the hit&period; Studios have become too large&comma; too powerful&comma; and too wealthy for their own good&comma; so seeing films that are meant to be the next <em>Avatar<&sol;em> &lpar;2009&rpar; end up as huge commercial and critical failures brings about a little smug satisfaction for me&period; <&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">Having said all that&comma; <em>Valerian and City of a Thousand Planets<&sol;em> has &lpar;as of this writing&rpar; made &dollar;225 million in its combined domestic and international theatrical runs &lpar;approximately &dollar;25 million more than its budget&rpar;&comma; so it is certainly not a commercial failure in the traditional sense&period; However&comma; it must be assumed that much more was invested in marketing&comma; so it is difficult to say whether the team of studios who funded the production were able to recoup their losses or not&period; Either way&comma; studios are not inclined to dump &dollar;200 million into a project unless they have a reasonable assurance of huge profits&comma; so it was&comma; at the very least&comma; a major disappointment&period;<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">This all begs the question&colon; what made this well-funded project such a dud&quest; There are a variety of reasons related to marketing and steep competition upon its initial release&comma; but the answer lies primarily in the film itself&period; <em>Valerian<&sol;em>&comma; directed by Luc Besson and based on the popular French comic series&comma; <em>Valerian and Laureline<&sol;em> by Pierre Christin&comma; follows Major Valerian &lpar;Dane DeHaan&rpar; and Sergeant Laureline &lpar;Cara Delevingne&rpar;&comma; who are sent on a mission to retrieve a creature capable of replicating anything that it consumes&period; I won’t give any further plot summary&comma; as it gets needlessly complex and difficult to follow&comma; which I have to imagine contributed to the film’s financial woes&period;<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">Though I have read from a variety of sources that Christin&&num;8217&semi;s original comic series is a wonderfully rich&comma; engrossing work of science fiction&comma; <em>Valerian<&sol;em> is nothing of the sort&period; Overly-reliant on flashy CGI and action-adventure cliches&comma; the film feels wholly unoriginal and lacking in anything remotely memorable&period; Dane DeHaan&comma; fresh off the heels of his equally unremarkable performance in <a href&equals;"https&colon;&sol;&sol;wp&period;me&sol;p8zIUb-f3"><em>A Cure for Wellness<&sol;em><&sol;a> &lpar;2016&rpar;&comma; feels like a mismatch for the role&comma; and it shows in just about every scene&period; DeHaan is meant to be a suave&comma; womanizing super agent of sorts&comma; but with notably boyish features and mannerisms&comma; he feels like he is desperately reaching to portray a character that is far beyond his abilities&period; With each line of eye roll-inducing dialogue&comma; DeHaan sounds like a prepubescent boy trying to do his best impression of Christian Bale’s Batman&period; I can only guess that director Luc Besson wanted Major Valerian to exude more traditional masculinity&comma; and therefore insisted that DeHaan try to drop his voice down to a lower octave&comma; but it is painfully apparent that DeHaan is just not fit to be a leading man in this kind of film&period;<&sol;span><&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;1189" aria-describedby&equals;"caption-attachment-1189" style&equals;"width&colon; 850px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-1189" src&equals;"https&colon;&sol;&sol;philosophyinfilm&period;com&sol;wp-content&sol;uploads&sol;2017&sol;12&sol;valerianlaureline&period;0-300x167&period;jpg" alt&equals;"Cara Delevingne photoshoot for Valerian and the City of a Thousand Planets 2017" width&equals;"850" height&equals;"472" &sol;><figcaption id&equals;"caption-attachment-1189" class&equals;"wp-caption-text">Valerian and the City of a Thousand Planets &lpar;2017&rpar;<&sol;figcaption><&sol;figure>&NewLine;<p class&equals;"p1"><span class&equals;"s1">Bizarre vocal performances aside&comma; the plot meanders between being confusing&comma; boring&comma; derivative&comma; and occasionally all three at the same time&period; Far too much of the story is dedicated to the back-and-forth romance between Major Valerian and Sergeant Laureline&period; While Valerian is the bad-boy rebel who unceremoniously proposes to her early on in the film&comma; Laureline is the stern&comma; by-the-books soldier who spurns his advances and must rescue him from his own hubris and poor decision-making on various occasions&period; With how many other films have used this exact same character dynamic before&comma; it is mind-boggling that writers still see it as a viable option&period; In addition&comma; the filmmakers used the &lpar;once again&rpar; tired trope of a race of aliens who are on the brink of extinction after humans destroyed their home planet&period; This is&comma; of course&comma; the obvious natives vs&period; imperialists metaphor that is ripped straight from <em>Avatar<&sol;em>&comma; which itself ripped this plot device from previous films&period;<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">If all of this weren’t bad enough&comma; <em>Valerian<&sol;em> also features Rihanna as a completely unnecessary character named Bubble&comma; whose purpose in the film is essentially to entice male spectators&period; She dances provocatively and assists Valerian for a brief time&comma; but otherwise she is just a distraction from the film’s numerous shortcomings&period; Her acting is nothing special&comma; but one is more inclined to blame the filmmakers for making her character into such a trivial and poorly-executed addition to the story&period;<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">In summary&comma; even if you are simply looking for a mindless&comma; escapist visual spectacle&comma; there are still much better options out there&period; Ultimately&comma; most of what makes this such a bungled endeavor could be forgiven if it wasn’t so dreadfully boring&period; To say that there are better science fiction adventure films to be seen is a gross understatement&comma; so my advice is just to look elsewhere&period;<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">Rating&colon; <&sol;span><span class&equals;"s2">&starf;<&sol;span><span class&equals;"s1"> out of 5<&sol;span><&sol;p>&NewLine;<p class&equals;"p1"><span class&equals;"s1">On the off chance that you still want to watch this film&comma; <em>Valerian and the City of a Thousand Planets<&sol;em> is available to rent or purchase <a href&equals;"https&colon;&sol;&sol;www&period;amazon&period;com&sol;gp&sol;product&sol;B0748PJSBJ&sol;ref&equals;as&lowbar;li&lowbar;qf&lowbar;sp&lowbar;asin&lowbar;il&lowbar;tl&quest;ie&equals;UTF8&amp&semi;tag&equals;mjones34880c-20&amp&semi;camp&equals;1789&amp&semi;creative&equals;9325&amp&semi;linkCode&equals;as2&amp&semi;creativeASIN&equals;B0748PJSBJ&amp&semi;linkId&equals;2a12a06f03ec2f66d751398e6ccb1578">via Amazon here<&sol;a>&period;<&sol;span><&sol;p>&NewLine;

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