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Review: Dune (1984) ★★

<p><i>I will preface this review by stating that I genuinely wanted to like Dune&period; I have mixed feelings about David Lynch&&num;8217&semi;s work&comma; but I knew based on the trailer and a little prior knowledge of the film that it would be strange &lpar;re&colon; David Lynch&rpar;&comma; unintentionally funny&comma; and unapologetically &OpenCurlyDoubleQuote;eighties&period;” My expectations were tempered accordingly&period; Having said that&comma; this was not the film that it could have been&period; There were certainly memorable moments &lpar;Patrick Stewart running into battle carrying a pug jumps to mind&rpar;&comma; but it never lived up to its full potential&period;<&sol;i><&sol;p>&NewLine;<p><i>Dune <&sol;i>is based on Frank Herbert&&num;8217&semi;s 1965 novel of the same name&comma; and following its success&comma; the movie rights became a highly sought after prize&period; Several filmmakers tried&comma; and failed&comma; to bring the story to the silver screen&comma; with Alejandro Jodorowsky&&num;8217&semi;s attempt coming the closest&period; The story of his failed endeavor even became the focus of a 2013 documentary titled <i>Jodorowsky&&num;8217&semi;s Dune<&sol;i>&period; However&comma; in 1981&comma; following his success with <i>The Elephant Man<&sol;i> &lpar;1980&rpar;&comma; David Lynch was offered to direct the film&comma; and&comma; for better or worse&comma; and despite having several other offers at the time&comma; he accepted&period;<&sol;p>&NewLine;<p>The story centers on Paul Atreides &lpar;Kyle MacLachlan&rpar;&comma; the son of a popular Duke who was recently given control of the planet Arrakis&comma; also known as &OpenCurlyDoubleQuote;Dune&period;” The film begins with a voiceover explaining that Dune is the only source of a spice called &OpenCurlyDoubleQuote;melange&period;” This spice is incredibly valuable&comma; as it has mind-altering capabilities&comma; as well as the ability to fold space&comma; thus allowing for instantaneous space travel&period; The Emperor Shaddam&comma; who rules over the universe and fears an uprising&comma; installs Duke Atreides on Arrakis&comma; secretly plotting to attack him and wipe out the entire House Atreides&period; Paul&comma; who has vivid dreams prophesying the future&comma; allies with the native people of Dune&comma; known as the Fremen&comma; to repel the Emperor&&num;8217&semi;s attack&period; The Fremen believe that Paul is their long-awaited Messiah&comma; and that he will save them from the Emperor&&num;8217&semi;s tyrannical rule&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;886" aria-describedby&equals;"caption-attachment-886" style&equals;"width&colon; 757px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-886" src&equals;"https&colon;&sol;&sol;philosophyinfilm&period;com&sol;wp-content&sol;uploads&sol;2017&sol;06&sol;166c1adeb5e18be8f55c1594d6e8fadd-300x128&period;jpg" alt&equals;"" width&equals;"757" height&equals;"323" &sol;><figcaption id&equals;"caption-attachment-886" class&equals;"wp-caption-text">Patrick Stewart and pugs make it a little more enjoyable&comma; but they can&&num;8217&semi;t save Dune from itself &lpar;Dune&comma; 1984&rpar;&period;<&sol;figcaption><&sol;figure>&NewLine;<p>There are a plethora of side-characters and subplots in <i>Dune<&sol;i>&comma; but none of them are all that interesting&comma; and Lynch&&num;8217&semi;s script never expounds on the more intriguing political machinations of Frank Herbert&&num;8217&semi;s universe&period; Much of the plot is explained in voiceover&comma; to the point where just about every thought that the most prominent characters have is said out loud for the audience&period; Not only is this a lazy style of filmmaking&comma; it also leaves little open to interpretation&period; It seems that this was done out of necessity more than out of some kind of bizarre artistic vision though&comma; as Lynch&&num;8217&semi;s original cut was almost 4 hours long&comma; so it had to be cut in half for its theatrical release&period; One imagines that too many vital scenes needed to be condensed&comma; and Lynch had no choice but to explain large segments of the plot in voiceovers and blunt exposition&period; However&comma; one of the main issues with Dune is not what is told to us&comma; but all that is left out&period; The script feels like a jumbled mess&comma; with subplots only hinted at and never fully-realized&period; Lynch somehow manages to say way too much without ever telling us what we really want to know&period;<&sol;p>&NewLine;<p>While some of the special effects are well-done&comma; they are ruined by an ugly and muddy visual style&period; Much of the film is brown and orange and gray&comma; which helps dull an already boring and convoluted story&period; A few sequences involving the giant sandworms on Arrakis are impressive&comma; but there are times when it is painfully obvious that the actors are just running in front of a green screen&comma; with virtually no attempt to mask it&period;<&sol;p>&NewLine;<p>The acting is about what you would expect from eighties science fiction&period; Kyle MacLachlan really only has one facial expression throughout the film&comma; one of mild confusion and frustration&comma; as if he is actively wondering why he ever accepted the role of Paul Atreides in the first place&period; The ancillary characters are not that memorable&comma; though Patrick Stewart brings his own brand of quality-acting to <i>Dune&period;<&sol;i> Unfortunately&comma; he is not onscreen for much of the film&period; Sting plays the part of Feyd-Rautha&comma; though his acting ability is questionable and the character feels largely unnecessary&period; One of the better performances in <em>Dune<&sol;em> is also one of the hardest to watch&period; Kenneth McMillan is perfect as the sadistic Baron Vladimir Harkonnen&comma; who suffers from a disease that leaves his face riddled with oozing boils&period; Despite his rather strange physical presence on screen &lpar;he floats around rooms in an inflatable suit&rpar;&comma; McMillan brings an incredible performance to a film that is otherwise rife with mediocrity&period;<&sol;p>&NewLine;<p>It has been documented that Lynch distanced himself from the film following its release&comma; blaming its shortcomings on the constraints set by the studio&comma; among other things&period; But&comma; no matter who is to blame&comma; <em>Dune<&sol;em> is simply not a well-made film&period; David Lynch came to prominence with the surrealist style&comma; weird and often unsettling storytelling&comma; and existential dread of his early films&period; And while he found success and acclaim with these kinds of films&comma; he is like a fish out of water when confronted with a science fiction epic like <i>Dune<&sol;i>&period; Such a vast universe&comma; with complex politics and hierarchies would be a challenge even for the most experienced sci-fi filmmaker&comma; and Lynch falls far short of the mark&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; center&semi;">Dune is currently available to stream on <a href&equals;"https&colon;&sol;&sol;www&period;hulu&period;com">Hulu&period;<&sol;a><&sol;p>&NewLine;<p style&equals;"text-align&colon; center&semi;">Or it is available for purchase via <a href&equals;"https&colon;&sol;&sol;www&period;amazon&period;com&sol;gp&sol;product&sol;B000I9S64U&sol;ref&equals;as&lowbar;li&lowbar;qf&lowbar;sp&lowbar;asin&lowbar;il&lowbar;tl&quest;ie&equals;UTF8&amp&semi;tag&equals;mjones34880c-20&amp&semi;camp&equals;1789&amp&semi;creative&equals;9325&amp&semi;linkCode&equals;as2&amp&semi;creativeASIN&equals;B000I9S64U&amp&semi;linkId&equals;4d063593730c3725de159a516df0a14f">Amazon<&sol;a>&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; center&semi;">Rating&colon; &starf;&starf; out of 5<&sol;p>&NewLine;

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